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Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.
Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.
Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.
Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.
Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.
Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.
Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.
Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.
Edgar Serrano, A Minotaur's Mass, 2021
Lucia Hierro  White Thank You Bag: Febreze Air Gain Scent, Cherry Tomatoes, Tres Platanos Maduros, 3 Naranjas Agria, 1 Cebolla Roja, 1 Pepperoncini  2021
Mungo Thomson  Snowman  2020
Scott Reeder  Blue Studio  2022
Trevor Winkfield  The Acrobats  2015
Lucia Hierro  Apagones y Cuentos  2021
Robert Arneson  Rock on Saucer #17  1972
Robert Arneson  Untitled (Rock Cup)  1977
Gustav Hamilton  A Dream About Nevis  2019
Nina Katchadourian  Crossdressed Snake (from Animal Crossdressing)  2002
Nina Katchadourian  Crossdressed Rat (from Animal Crossdressing) 2002
Alice Tippit, Scold 2022

Press Release

We are pleased to present m ad-libs, a noun exhibition featuring paintings, drawings and sculpture by Robert Arneson, Gustav Hamilton, Lucia Hierro, Nina Katchadourian, Scott Reeder, Edgar Serrano, Mungo Thomson, Alice Tippit and Trevor Winkfield. Inspired by the classic word game, m ad-libs looks to artists who use substitution or adjective combinations to humorous or critical effect.

Surrealism is a(n) noun for many of these works, particularly in the case of Robert Arneson’s trompe-l’oeil plural noun and saucers. In other cases, the anthropomorphism of objects like noun or noun calls into question basic ideas of form and function, while adverb making language an essential part of the work. For Trevor Winkfield and Scott Reeder, not only do their paintings verb visually, but they also act as a kind of code, gerund into multiple sets of plural noun . A more fundamental noun is examined in Nina Katchadourian’s Animal Crossdressing, where predator and prey each participate in a role-playing exercise that uses costuming to verb identity.

Personal, cultural and whimsical plural noun abound, particularly in the work of artists like Edgar Serrano, whose compositions verb many disparate elements to create a more complex whole. A similar strategy appears in Lucia Hierro’s work, where images of objects are adverb stand-ins for the objects themselves, addressing the noun of such banal items as a bag of groceries. In a more adjective vein, Mungo Thomson’s Snowman emulates the basic structure of the titular “man” however in a medium more readily available than snow: proper noun packages.