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Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Installation view, (m)ad-libs, George Adams Gallery, New York, 2022.

Edgar Serrano, A Minotaur's Mass, 2021

Edgar Serrano

A Minotaur's Mass

2021

Oil, leather and wood on canvas

30 x 24 inches

ESerp 1

Lucia Hierro  White Thank You Bag: Febreze Air Gain Scent, Cherry Tomatoes, Tres Platanos Maduros, 3 Naranjas Agria, 1 Cebolla Roja, 1 Pepperoncini  2021

Lucia Hierro

White Thank You Bag: Febreze Air Gain Scent, Cherry Tomatoes, Tres Platanos Maduros, 3 Naranjas Agria, 1 Cebolla Roja, 1 Pepperoncini

2021

Felt, digital print on taffeta and brushed suede, foam

58 x 28 1/2 x 3 inches

LuHs 1

Mungo Thomson  Snowman  2020

Mungo Thomson

Snowman

2020

Painted bronze

1 1/2 x 14 7/8 x 17 3/4 inches

MTos 1

Scott Reeder  Blue Studio  2022

Scott Reeder

Blue Studio

2022

Oil on canvas

24 x 36 inches

ScRp 1

Trevor Winkfield  The Acrobats  2015

Trevor Winkfield

The Acrobats

2015

Acrylic on linen

36 x 43 1/2 inches

TrWp 1

Lucia Hierro  Apagones y Cuentos  2021

Lucia Hierro

Apagones y Cuentos

2021

Felt, foam, digital print on brushed suede

36 x 36 x 2 inches

LuHp 1

Robert Arneson  Rock on Saucer #17  1972

Robert Arneson

Rock on Saucer #17

1972

Ceramic

4 1/2 x 6 x 6 inches

RAs 279

Robert Arneson  Untitled (Rock Cup)  1977

Robert Arneson

Untitled (Rock Cup)

1977

Watercolor, ink and graphite on paper

11 x 15 inches

RAd 117

Gustav Hamilton  A Dream About Nevis  2019

Gustav Hamilton

A Dream About Nevis

2019

Glazed ceramic

19 1/8 x 18 1/2 x 1 7/8 inches

GHams 1

Nina Katchadourian  Crossdressed Snake (from Animal Crossdressing)  2002

Nina Katchadourian

Crossdressed Snake (from Animal Crossdressing)

2002

C-print

32 x 40 inches

Edition of 5

NKath 2

Nina Katchadourian  Crossdressed Rat (from Animal Crossdressing) 2002

Nina Katchadourian

Crossdressed Rat (from Animal Crossdressing)

2002

C-print

32 x 40 inches

Edition of 5

NKath 1

Alice Tippit, Scold 2022

Alice Tippit

Scold

2022

Oil on canvas

18 x 15 inches

ATip 1

Press Release

We are pleased to present m ad-libs, a noun exhibition featuring paintings, drawings and sculpture by Robert Arneson, Gustav Hamilton, Lucia Hierro, Nina Katchadourian, Scott Reeder, Edgar Serrano, Mungo Thomson, Alice Tippit and Trevor Winkfield. Inspired by the classic word game, m ad-libs looks to artists who use substitution or adjective combinations to humorous or critical effect.

Surrealism is a(n) noun for many of these works, particularly in the case of Robert Arneson’s trompe-l’oeil plural noun and saucers. In other cases, the anthropomorphism of objects like noun or noun calls into question basic ideas of form and function, while adverb making language an essential part of the work. For Trevor Winkfield and Scott Reeder, not only do their paintings verb visually, but they also act as a kind of code, gerund into multiple sets of plural noun . A more fundamental noun is examined in Nina Katchadourian’s Animal Crossdressing, where predator and prey each participate in a role-playing exercise that uses costuming to verb identity.

Personal, cultural and whimsical plural noun abound, particularly in the work of artists like Edgar Serrano, whose compositions verb many disparate elements to create a more complex whole. A similar strategy appears in Lucia Hierro’s work, where images of objects are adverb stand-ins for the objects themselves, addressing the noun of such banal items as a bag of groceries. In a more adjective vein, Mungo Thomson’s Snowman emulates the basic structure of the titular “man” however in a medium more readily available than snow: proper noun packages.